In society failure is understood as an inability to live up to your own, or others, expectations. However, in many ways it is a truth that becomes a lie, and remains a lie until we make it a self-fulfilling prophecy.
Unhealthy sleeping habits of an over thinker
I try and pry open my eyes, but they’re viscous, like two dead moths stuck to a window. I look for a line, the silhouette of the curtain, but the glow of winter is different to the bloom of warmer months. I haven’t really slept in two weeks. Sure I’ve “slept” but only when my brain has reached the point of exhaustion. And I wouldn’t call it sleep, 2–3 hours a night is not sleep — it’s a kind of incubation.
Originally published in Dumbo Feather. Courage might just mean discovering the lost and hidden parts of ourselves […]
In ‘Home, Like Dying Embers’ part 3 we meet Parker – a trumpet player with a troubled soul and a love for his instrument. Parker is a man who believes his life is full of intangible things, even his girlfriend seems intangible, but perhaps it is full of mysteries waiting to be revealed.
In part 2 of ‘Home, Like Embers’ Hannah sets out on her journey to show her sick father the old photograph of the family. But along the way she follows the sound of jazz and meets an exotic stranger.
Home, Like Dying Embers is a weekly – fortnightly story series and bit of an experiment in self discipline. One of the problems many writers face is the inability to finish what they begin, including me. And while I don’t believe in lumping all your stories onto your blog, I do believe in sprinkling them out like fairy dust … let them exist … breathe or eventually splutter and die. Live and learn. But let them exist. Another reason I began this story is to play with prose. You can map out a story (called plotting and not overly recommended) or you can let your characters follow their feet. This is what Home, Like Embers is all about, seeing where my characters will go next; inspired by a recent writing workshop with the wonderful Claire Keegan. Some of the characters are also based on my experiences while living in Berlin, and they are rarely exaggerated, merely reshaped. The story begins with Hannah and her life in Berlin as she decides to return a family photograph to her dying father. I hope you enjoy this series. – Jakob
Living with agoraphobia: an immersion essay
There’s a tingling in my fingers and it’s not from the alcohol. I don’t belong on this dance floor and these kids know it. What do most people do when they find themselves in the middle of a herd of sweaty, cocksure teenagers? If I were their age I suppose I’d go with it — throw my head back and just be. But I’m not their age. I’m not even from the same galaxy. They tower over me — a different species — as if anyone born after the year 2000 was endowed with superhuman height.
Must be the millennial bug.
There’s the familiar stench of body odor and frothing hormones that conjure memories: the mid 90s, football halls crammed with staggering, sloshing teens bobbing their heads to Foo Fighters. But now … here … I’m an imposter. My breathing is unsteady, my heart throbs at a staccato, racing to match the pulse of the music. Become the pulse, feel the music. The music surges skyward and I wish I were lifting with it … up and away. But instead I am shrinking and certain that some unseen, enormous hands are closing in — fingers splayed, invented for smothering.
I watch as one of the male creatures pirouettes into my space — not before glancing down to check if I’m real. He’s been baptized with Hollywood looks, vigorously gay and comfortable in his own skin. He wears a polyester blue shirt fastened with bubblegum braces and his hair’s a shock of wax chocolate.
There’s an amused expression plastered across his face, as if studying an oddity — a man out of time. And I am. I’m a time traveler.
The young man cranes his neck. From this close I can see a hint of mascara and some glitter peppered across his right cheek. Then quite suddenly, he contorts his face and gyrates around me — striking ostrich poses, his neck doing things my arms could only attempt. Ignore the cartoon, I tell myself. Ignore the dread — the true provocateur — but it’s too late, fear is out of its cage. I close my eyes.